Session Requirements
Studio Equipment
Editing
Power Mac G4 - Mac os 9.2
Sonic Studio HD / Version 1.8.2
Sony 3000
Monitoring
PMC BB5's
Nearfield
and Surround Yamaha NS10
Bryston Amps
Bryston Surround 5.1 Amp
Bryston Crossovers
Bryston Nearfield Amp
Maselec MTC1 Surround/Stereo monitoring control centre
Equalisation
2 x Prism Maselec MEA-2
GML 9500
GML 8200
Summit Audio
2 x Neumann OE DUO
Dolby Spectral Processor
Compression and Limiting
Fairman valve
2 x Neumann U473SP
2 x Maselec Limiters MPL-2
Junger Accent 1 DOI
Source and Destination Machines
Sony 7010 DAT Player
Sony 7040 DAT
Ampex ATR100 with Varispeed/Dolby
363SR/A noise reduction
Sony CDP D500 CD Player
HHB CDR
Sony 1630 Processor
Sony DTA 2000 Analyser
Sony DMR2000 / 4000 Umatic player/recorder
Converters
dcs 904 24 BIT / 192 KHz DSD
A to D
dcs 955 24 BIT / 192 KHz DSD
DAC
dcs 950 D to A
Vinyl Cutting
Customised Neumann VMS 82 Lacquer Lathe
SSX 74 Cutter Head
Telephone +44 (0)20 7565 3020 or email
for booking enquiries and further information
We can accept the following audio formats for mastering:
1/4” Analogue Tape
1/2” Analogue Tape
DAT Tape
Audio CDR
Data File
MiniDisc – accepted but really not a good quality sound!
Cassette – if you have to!
Accepted file types:
.aiff
.wav
.sd2
Sample rates - 44.1, 48, 88.2, 96 kHz
Bit rates - 16 bit, 24 bit
We can also work directly off your Pro Tools session if it contains either stereo mixdowns (or stems – provided the engineer responsible is present to operate the stem session)
Other requirements:
Please ensure there is no processing on the master buss of the mix wherever possible. Please don’t bring in mp3 as your only source. If you are bringing in data files it’s always a good idea to have a backup copy either as data or on audio CD.
